{"id":1205,"date":"2023-12-25T16:54:43","date_gmt":"2023-12-25T16:54:43","guid":{"rendered":"https:\/\/bibliosinoint.ch\/wp\/programme\/"},"modified":"2024-04-07T13:08:57","modified_gmt":"2024-04-07T13:08:57","slug":"programme","status":"publish","type":"page","link":"https:\/\/bibliosinoint.ch\/wp\/fr\/symposium-bsi-2024\/symposium\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n<div class=\"wp-block-uagb-container paperbkg uagb-block-29e9605e alignfull uagb-is-root-container\"><div class=\"uagb-container-inner-blocks-wrap\"><h2 class=\"wp-block-post-title\">Programme<\/h2>\n\n\n<p>Programme pr\u00e9liminaire en <a href=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2024\/03\/BSI-2024-Preliminary-Programme.pdf\" data-type=\"link\" data-id=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2024\/03\/BSI-2024-Preliminary-Programme.pdf\">format pdf (744 KB)<\/a>. <br\/>Le symposium se d\u00e9roulera \u00e0 la <strong>Haute \u00e9cole de musique de Gen\u00e8ve<\/strong>, 2, rue du G\u00e9n\u00e9ral-Dufour.<\/p>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-3ba3a9a3\"><h3 class=\"uagb-heading-text\">Jour 1 &#8211; Jeudi 11 avril 2024<\/h3><\/div>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-cb9813c6\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>A partir de 12h00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>2e \u00c9TAGE<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-259241ba\"><h4 class=\"uagb-heading-text\"><em>Inscription<\/em><\/h4><\/div>\n\n\n\n<p>Les participants sont pri\u00e9s de s&rsquo;inscrire au bureau du symposium, ouvert \u00e0 partir de 12h00.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>13:00 &#8211; 14:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>2e \u00c9TAGE<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-b9f51377\"><h4 class=\"uagb-heading-text\">Inauguration de l&rsquo;exposition<\/h4><\/div>\n\n\n\n<p>L&rsquo;exposition <em><strong>Entre Traces et oubli<\/strong><\/em> retrace l&rsquo;histoire de la Biblioth\u00e8que Sino-Internationale. Elle pr\u00e9sente des documents relatifs aux activit\u00e9s de la biblioth\u00e8que \u00e0 Gen\u00e8ve de 1933 \u00e0 1950. <br\/>Pr\u00e9sentation par le <strong>Dr. Estelle NIKL\u00c8S VAN OSSELT<\/strong>, commissaire de l&rsquo;exposition.<\/p>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-83371536\"><h4 class=\"uagb-heading-text\">Accueil et ouverture<\/h4><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li style=\"font-size:14px\"><strong>Mme B\u00e9atrice ZAWODNIK<\/strong>, directrice de la Haute \u00e9cole de musique de Gen\u00e8ve (HEM).<\/li>\n\n\n\n<li style=\"font-size:14px\"><strong>Prof. Nicolas ZUFFEREY<\/strong>, Unit\u00e9 d&rsquo;\u00e9tudes chinoise, Universit\u00e9 de Gen\u00e8ve<\/li>\n\n\n\n<li style=\"font-size:14px\"><strong>Prof. Xavier BOUVIER<\/strong>, Gen\u00e8ve HEM.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>14:00 &#8211; 17:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>SALLE GD-20<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"735\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-4-1024x735.png\" alt=\"\" class=\"wp-image-631\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-4-1024x735.png 1024w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-4-300x215.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-4-768x551.png 768w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-4.png 1404w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">La BSI au Ch\u00e2teau de Montal\u00e8gre. Extrait de <em>Chine Illustr\u00e9e <\/em>n<sup>o<\/sup> 9<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-58fb25dc\"><h4 class=\"uagb-heading-text\">Session 1 : <em>La Biblioth\u00e8que Sino-Internationale<\/em><\/h4><\/div>\n\n\n<div class=\"wp-block-uagb-faq uagb-faq__outer-wrap uagb-block-a35fa517 uagb-faq-icon-row uagb-faq-layout-accordion uagb-faq-expand-first-false uagb-faq-inactive-other-true uagb-faq__wrap uagb-buttons-layout-wrap uagb-faq-equal-height     \" data-faqtoggle=\"true\" role=\"tablist\"><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-991895fd \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">14:00 <strong>Prof. Xavier BOUVIER<\/strong> &#8211; Geneva Haute \u00e9cole de musique<br><em>Representing \u00ab\u00a0persons and things Chinese\u00a0\u00bb<\/em> : <em>an introduction to the Biblioth\u00e8que Sino-Internationale<\/em>.<br><em>more<\/em>&#8230;<\/span><\/div><div class=\"uagb-faq-content\"><p>Funded by the Swiss National Science Foundation, an ongoing research project on Geneva&rsquo;s Biblioth\u00e8que Sino-Internationale has explored archival holdings in Switzerland, France, Germany, Uruguay, Shanghai and Taipei. This presentation retraces the history of the Biblioth\u00e8que Sino-Internationale in Geneva, summarizes our current knowledge of it, details the available documentation, and lists the questions and avenues of research left open.<br><br><em>Financ\u00e9 par le Fond National Suisse, un projet de recherche en cours sur la Biblioth\u00e8que Sino-Internationale de Gen\u00e8ve a permis de mettre \u00e0 jour et d\u2019explorer des fonds d\u2019archives conserv\u00e9s en Suisse, en France en Allemagne, en Uruguay, \u00e0 Shanghai et \u00e0 Taipei. Cette pr\u00e9sentation retrace l\u2019histoire genevoise de la Biblioth\u00e8que Sino-Internationale, r\u00e9sume l\u2019\u00e9tat de nos connaissances \u00e0 son sujet, d\u00e9taille la documentation disponible, et \u00e9num\u00e8re les questions et les pistes de recherches laiss\u00e9e ouvertes.<\/em><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-44470d26 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">14:40 <strong>Prof. Marianne BASTID BRUGUI\u00c8RE<\/strong><br><em>Une qu\u00eate obstin\u00e9e d\u2019universalit\u00e9: Li Shizeng, sa biblioth\u00e8que Sino-Internationale et la coop\u00e9ration culturelle mondiale, 1932-1973<\/em>.<\/span><\/div><div class=\"uagb-faq-content\"><p>The aim of this presentation is to shed light on the distant origins of the library project, as well as on the logic and mode of action &#8211; always a bit in combinazione but ultimately effective &#8211; of the astonishing personality who gave it life, without succeeding in saving it beyond his own death.<br><br><em>Cette pr\u00e9sentation entend \u00e9clairer les origines lointaines du projet de la biblioth\u00e8que, ainsi que la logique et le mode d\u2019action, toujours un peu dans la combinazione mais finalement efficace, de l&rsquo;\u00e9tonnante personnalit\u00e9 qui lui a donn\u00e9 vie, sans r\u00e9ussir \u00e0 le sauver au-del\u00e0 de sa propre mort.<\/em><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-302c5307 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\"><strong>PAUSE<\/strong><\/span><\/div><div class=\"uagb-faq-content\"><p><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-5183029b \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">15:40 <strong>Lic. Alfredo Alzugarat <\/strong>&#8211; Archivos literarios, Biblioteca Nacional de Uruguay.<br><em>La Biblioteca Sino-International en Uruguay<\/em><br><em>more<\/em>&#8230;<\/span><\/div><div class=\"uagb-faq-content\"><p>La Biblioteca Sino Internacional representa un episodio inesperado y extraordinario en la historia de la Biblioteca Nacional de Uruguay, que la alberg\u00f3 desde 1952 a 1993. La llegada de su rico ajuar, supuestamente a causa de la Revoluci\u00f3n China de 1949, signific\u00f3 tambi\u00e9n el arribo de su principal patrocinador, Li Yuying (Li Shizeng), y de su director, Xiao Yu. La vieja amistad entre este \u00faltimo y el l\u00edder de la revoluci\u00f3n, Mao Zedong, pudo ser factor decisivo en la necesidad de ocultar la biblioteca. Su inauguraci\u00f3n oficial fue reci\u00e9n en 1966. Tras la muerte de Li Yuying, la actividad de la BSI fue financiada por Taiw\u00e1n, contribuyendo al firme relacionamiento existente entre ese pa\u00eds y el gobierno dictatorial uruguayo. Se destaca en ese per\u00edodo la Muestra de Arte y Literatura chinas (1977) y la elaboraci\u00f3n del <em>Cat\u00e1logo de los libros chinos antiguos<\/em> de la BSI. Fue trasladada a Taipei en 1993 por diversos motivos, entre los que puede se\u00f1alarse el establecimiento de relaciones diplom\u00e1ticas con la Rep\u00fablica Popular de China tras la restauraci\u00f3n democr\u00e1tica en Uruguay.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-5497e459 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">16:20 <strong>Dr. Jennifer Y. CHANG<\/strong> \u5f35\u66c9\u7b60 &#8211; Humanities Research Center, National Chengchi University &#8211; German Historical Institute, University of California at Berkeley<br><em>Visualizing Nationhood and Multilateral Diplomacy at the Biblioth\u00e8que Sino-Internationale (1933-1951)<\/em>.<br><em>&#8230;more<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>In 1933, the Biblioth\u00e8que Sino-Internationale (BSI) was launched in Geneva, Switzerland, for the promotion of cooperation between China and the West. Thriving in the world city of Geneva amidst the complex dynamics of Swiss neutrality, the BSI became an unprecedented transnational cultural institution through which Republican China engaged in multilateral diplomacy to achieve equal representation in the restructuring of the postwar international order. This research presents how BSI\u2019s intertwined history with the International Committee on Intellectual Cooperation (ICIC) of the League of Nations was premised upon the successful technical cooperation between China\u2019s National Economic Council (NEC) and the ICIC. This study further argues that BSI\u2019s Geneva operations extended China\u2019s physical presence\u2014and not simply its voice\u2014to the international community, and thus, setting the stage for China to be recognized as one of the Big Four powers alongside the United States, United Kingdom, and USSR. Through visual contextualization of China\u2019s domestic and international crises that permeated every aspect of BSI\u2019s operations, China\u2019s cultural diplomacy manifested itself in a coherent and synthesized world view that foregrounds China\u2019s arts and letters as foundational to building sustainable peace and cooperation.<\/p><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>20:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>CIN\u00c9MA GD-03<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"825\" height=\"615\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-3.png\" alt=\"\" class=\"wp-image-626\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-3.png 825w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-3-300x224.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-3-768x573.png 768w\" sizes=\"auto, (max-width: 825px) 100vw, 825px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">\u962e\u73b2\u7389 Ruan Lingyu dans <em>Amour et devoir<\/em>.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-38bd3b5c\"><h4 class=\"uagb-heading-text\">Projection de film : <em>Love and Duty<\/em> (1931)<\/h4><\/div>\n\n\n\n<p>R\u00e9alis\u00e9 par Bu Wancang avec Ruan Lingyu et Jin Yan, le film <em>Amour et Devoir<\/em> \u604b\u7231\u4e0e\u4e49\u52a1 de 1931 a longtemps \u00e9t\u00e9 consid\u00e9r\u00e9 comme perdu, avant d&rsquo;\u00eatre red\u00e9couvert dans les ann\u00e9es 1990 dans les collections de la BSI \u00e0 Montevideo. Magnifiquement restaur\u00e9 par l&rsquo;<em>Institut du film et de l&rsquo;audiovisuel de Ta\u00efwan<\/em>, le film a \u00e9t\u00e9 presque imm\u00e9diatement salu\u00e9 comme l&rsquo;un des plus grands films muets chinois.<\/p>\n\n\n\n<p>La projection sera accompagn\u00e9e par des musiciens de l&rsquo;<em>Ensemble Soie et bambou de la HEM<\/em>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-4929aac7\"><h2 class=\"uagb-heading-text\">Jour 2 Vendredi 12 avril 2024<\/h2><\/div>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-6ab1f657\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>09:00 &#8211; 12:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>SALLE GD-20<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"766\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-13-1024x766.png\" alt=\"\" class=\"wp-image-739\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-13-1024x766.png 1024w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-13-300x225.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-13-768x575.png 768w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-13.png 1081w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Devant la v\u00e9randa de \u6b66\u5eb7\u8defWukanglu 393. Wu Zhihui, Cai Yuanpei, Chu Minyi, Zhang Renjie, Li Shizeng. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-a16d591d\"><h4 class=\"uagb-heading-text\">Session 2 : Personnes<\/h4><\/div>\n\n\n<div class=\"wp-block-uagb-faq uagb-faq__outer-wrap uagb-block-cfb23c93 uagb-faq-icon-row uagb-faq-layout-accordion uagb-faq-expand-first-false uagb-faq-inactive-other-true uagb-faq__wrap uagb-buttons-layout-wrap uagb-faq-equal-height     \" data-faqtoggle=\"true\" role=\"tablist\"><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-7cf7ae7c \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">09:00 <strong>Prof. Marie BOUCHEZ<\/strong> &#8211; Universit\u00e9 Gustave Eiffel<br><em>Autour de Li Yuying\u00a0: r\u00e9seaux intellectuels franco-chinois et engagements<\/em><br><em>more<\/em>&#8230;<\/span><\/div><div class=\"uagb-faq-content\"><p>Li Yuying appara\u00eet comme le pivot chinois d\u2019un r\u00e9seau d\u2019intellectuels essentiellement fran\u00e7ais et chinois, auxquels se m\u00ealent \u00e9galement des personnalit\u00e9s issues d\u2019autres pays europ\u00e9ens. Notre communication chercherait alors \u00e0 identifier les diff\u00e9rentes cat\u00e9gories qui gravitent autour du fondateur de la Biblioth\u00e8que sino-internationale, dans un essai de typologie. Cette typologie interrogerait par ailleurs les liens entre intellectuels et engagements, puisque les actions auxquelles participent Li Yuying et son r\u00e9seau peuvent \u00eatre d\u2019ordre culturel, social, tout autant que politique. Les ann\u00e9es 1930 sont celles qui voient les liens culturels franco-chinois donner lieu \u00e0 une lutte commune, au moment de la guerre sino-japonaise et alors que le nazisme \u00e9tend son ombre.\u00a0Les supports de l\u2019engagement (presse, images fixes ou anim\u00e9es) se diversifient \u00e0 cette occasion. Les relations intellectuelles, mises en pause durant cette p\u00e9riode troubl\u00e9e, reprennent d\u00e8s 1946.\u00a0Cette communication pourrait donc ouvrir la voie \u00e0 une r\u00e9flexion d\u2019ordre prosopographique autour du r\u00e9seau franco-chinois, coordonn\u00e9 par Li Yuying.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-94860120 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">09:40 <strong>Dr. Claire Hui-Chen LIAO<\/strong>, Universit\u00e9 Paris Sorbonne et HEM<br><em>De <\/em>Miroir de la Chine \u4e2d\u83ef\u93e1 <em>\u00e0 la revue<\/em> Chine \u4e2d\u570b\u65b0\u805e<em>. Louis Laloy et ses amis chinois dans la diffusion de la culture chinoise en Europe<\/em><br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>En 1931, Louis Laloy (1874-1944), musicologue et sinologue, fut charg\u00e9 d\u2019effectuer une mission d\u2019\u00e9tude culturelle et scientifique en Chine. \u00c0 son retour en France, il publia un ouvrage intitul\u00e9 <em>Miroir de la Chine <\/em>pr\u00e9sentant ses visites, ses rencontres et ses r\u00e9flexions sur l\u2019ensemble de la culture chinoise. Si ce voyage pr\u00e9sente un aboutissement envers ses engagements dans les relations franco-chinoises depuis plus de vingt ans, il ouvre \u00e9galement la voie vers un nouvel horizon de collaboration dans les ann\u00e9es futures. L\u2019Association \u00ab\u00a0Les amis du peuple chinois\u00a0\u00bb fut ainsi cr\u00e9\u00e9e dans ces circonstances \u00e0 Paris par Louis Laloy et les intellectuels fran\u00e7ais, tels que l\u2019ethnologue Paul Rivet (1876-1958), l\u2019\u00e9crivain et l\u2019homme politique Andr\u00e9 Malraux (1901-1976), etc. Cette association dont l\u2019objectif \u00e9tait de faire conna\u00eetre la Chine telle qu\u2019elle \u00e9tait, publia son premier num\u00e9ro intitul\u00e9 <em>Chine<\/em>\u4e2d\u570b\u65b0\u805e en mars 1935, qui fournissait l\u2019actualit\u00e9 politique, \u00e9conomique, sociale en Chine, ainsi que des articles sur l\u2019art chinois, des informations sur des \u00e9v\u00e8nements organis\u00e9s par l\u2019Association ou par d\u2019autre pays du monde en soutien \u00e0 la Chine. En termes de dimension et d\u2019ambition, cette association pourrait faire \u00e9cho \u00e0 une autre institution\u00a0de la m\u00eame \u00e9poque\u00a0: La Biblioth\u00e8que sino-internationale, fond\u00e9e en 1932 \u00e0 Gen\u00e8ve, par le vieil ami de Louis Laloy, LI Shizeng\u674e\u77f3\u66fe (1881-1973).\u00a0 \u00a0\u00a0<br>La pr\u00e9sente communication explorera ainsi en premier lieu les origines de la cr\u00e9ation de l\u2019Association \u00ab\u00a0Les amis du peuple chinois\u00a0\u00bb ainsi que le contenu de la revue mensuelle <em>Chine<\/em>. Nous tenterons en second lieu de comparer cette revue avec deux publications de la BSI\u00a0:<em> Occident et Orient <\/em>(1934-1935), <em>Chine illustr\u00e9e<\/em> (1936-1937), afin de mettre en relief les pr\u00e9occupations communes de ces revues. A travers une lettre de condol\u00e9ance de Madame Hu Tienshe\u80e1\u5929\u77f3\u00e0 Nicolette Laloy-Hsu, fille de Louis Laloy et femme du diplomate chinois HSU Fu-Yun\u5f90\u5fa9\u96f2 en 1944, lors du d\u00e9c\u00e8s du musicologue, nous apprenons les relations amicales entre ce dernier et le directeur de la BSI, Hu Tienshe. En examinant les activit\u00e9s d\u2019\u00e9changes culturels de Louis Laloy, force est de constater qu\u2019elles reposent sur un fort r\u00e9seau d\u2019amiti\u00e9, non seulement avec les intellectuels fran\u00e7ais mais \u00e9galement avec des personnalit\u00e9s chinoises. Outre LI Shizeng et Hu Tienshe, figurent \u00e9galement des hommes litt\u00e9raires comme\u00a0LO Ta-Kang\u7f85\u5927\u525b (1909-1998), CHEN Tcheng\u76db\u6210 (1900-1997), FU Lei \u5085\u96f7 (1908-1966), des artistes comme MEI Lanfang\u6885\u862d\u82b3 (1894-1961), CHENG Yanqiu\u7a0b\u786f\u79cb (1904-1958), le peintre LIU Haisu\u5289\u6d77\u7c9f (1896-1994), ou encore le marchand d\u2019art C.T. Loo\u76e7\u82b9\u9f4b (1880-1957). Notre intention est d\u2019\u00e9tudier le r\u00e9seau d\u2019amiti\u00e9 de Louis Laloy, d\u2019aborder ensuite la mani\u00e8re dont le musicologue fit ces rencontres, et dans quelles mesures elles aboutirent, afin de r\u00e9v\u00e9ler les engagements de Louis Laloy dans la diffusion et la promotion des arts et de la culture chinoise en Europe entre 1932-1944. Ces op\u00e9rations furent parfois m\u00eame intimement li\u00e9es aux \u00e9v\u00e8nements organis\u00e9s par les dirigeants de la BSI, tels que la soir\u00e9e de bienfaisance \u00e0 Gen\u00e8ve en 1937, l\u2019Exposition \u00ab\u00a0L\u2019Art chinois en temps de guerre\u00a0\u00bb tenue \u00e0 la Galerie de\u00a0la Bo\u00ebtie \u00e0 Paris en 1939, etc.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-790c5582 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\"><strong>PAUSE<\/strong><\/span><\/div><div class=\"uagb-faq-content\"><p><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-cfe78df3 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">10:40 <strong>Dr. LEI QIANG<\/strong> \u96f7\u5f37 &#8211; National Library of China, Beijing<br><em>Hu Tienshe, Xiao Yu, and the Sino-International Library<\/em><br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>The Geneva Sino-International Library is an important cultural institution established overseas by the Republic of China in the 1930s. Little research is available in Chinese and foreign academic circles on its preparation process, collection construction, personnel structure, purpose and other aspects. Most of the existing research results are limited to narratives of Li Shizeng and Xiao Yu, which not only leave a lot of blanks to be filled but are also quite fallacious.<br>\u00a0<br>This article will continue the author\u2019s previous\u00a0article \u201cBiblioth\u00e8que Sino-Internationale Gen\u00e8ve and the <em>Orient et Occident<\/em>\u201d, through Chinese archives, periodicals of the Republic of China, celebrity diaries and memoirs and other documentary and historical materials, and do our best to outline the family history, learning experience, political resume and other aspects of Hu Tianshi and Xiao Yu, and restore the lives of these two figures who have successively presided over the China International Library in Geneva; and their relationship with Li Shizeng, the actual founder of the museum, and use this to analyze the influence of Hu Tianshi and Xiao Yu\u2019s different political and academic backgrounds on the museum\u2019s affairs. In addition, this article will attempt to discuss in particular the origin of Chinese antiquities displayed at the Chinese International Library in Geneva, which is one of the important factors that can attract local European elites and ordinary readers.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-6e5be7a3 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">11:20 <strong>Mme Colette GIRARD<\/strong> &#8211; Universit\u00e9 de Fribourg<br><em>Parcours d&rsquo;\u00e9tudiants Chinois \u00e0 Fribourg<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>Les mouvements d\u2019\u00e9tudiants chinois venant \u00e9tudier en Europe reposent sur plusieurs p\u00e9riodes.<br>A savoir la p\u00e9riode r\u00e9publicaine o\u00f9 la Chine s\u2019ouvre momentan\u00e9ment pour prendre les id\u00e9es occidentales afin de moderniser le pays qui \u00e9merge du Moyen-Age (cf. Mouvement du 4 mai etc..).<br>Puis la p\u00e9riode 1919-1949 est marqu\u00e9e par les productions d\u2019\u00e9tudiants chinois ayant s\u00e9journ\u00e9 en Europe et aux Etats-Unis. A Fribourg, elle est illustr\u00e9e par les \u00e9crits de Yan Zonglin qui retournera en R\u00e9publique populaire de Chine lors de la fermeture du pays dont il ne sortira plus. Les \u00e9tudiants chinois, \u00e0 l\u2019instar de Yan Zonglin, ne feront pas qu\u2019apprendre et laisseront des traces de leur passage par le biais de leurs \u00e9crits et offrent une vision de l\u2019Europe. En d\u00e9coule les \u00e9changes de Yan Zonglin et Romain Rolland par exemple ou les impressions sur la ville de Fribourg.<br>Ces mouvements d\u2019\u00e9tudiants co\u00efncideront avec l\u2019anticommunisme r\u00e9gnant en Europe. Si l\u2019\u0153uvre St Justin est cr\u00e9\u00e9e pour l\u2019arriv\u00e9e des \u00e9tudiants chinois \u00e0 Fribourg, son but n\u2019est pas d\u00e9sint\u00e9ress\u00e9 et n\u2019est autre que de former des personnes en vue de combattre le communisme.<\/p><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-9ff46707\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>14:00 &#8211; 17:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>SALLE GD-20<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"620\" height=\"591\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-12.png\" alt=\"\" class=\"wp-image-737\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-12.png 620w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-12-300x286.png 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">\u5927\u8def La <em>grande route<\/em> (1934). <br\/>Photo tir\u00e9e de <em>Chine Illustr\u00e9e<\/em>,<sup>n\u00b0<\/sup> 3.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-555a8d6d\"><h4 class=\"uagb-heading-text\">Session 2 (suite) : Personnes<\/h4><\/div>\n\n\n<div class=\"wp-block-uagb-faq uagb-faq__outer-wrap uagb-block-56bfb8bd uagb-faq-icon-row uagb-faq-layout-accordion uagb-faq-expand-first-false uagb-faq-inactive-other-true uagb-faq__wrap uagb-buttons-layout-wrap uagb-faq-equal-height     \" data-faqtoggle=\"true\" role=\"tablist\"><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-156175e2 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">14:00 <strong>Prof. MI Tian<\/strong> \u5b93\u7530 \u2013 Nankai University<br><em>Marcela de Juan: a \u201cNew Woman\u201d out of the old China<\/em><br>\u9ec4\u739b\u8d5b\uff1a\u4e00\u4f4d\u8d70\u51fa\u65e7\u4e2d\u56fd\u7684\u201c\u65b0\u5973\u6027\u201d <br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>Marcela de Juan was born in Cuba in 1905, spent her early years in Europe, received her education in China, and eventually settled in Spain. She passed away in Geneva in 1981. Since child, she traveled to various countries with her diplomat father, acquired extensive knowledge, formed connections with cultural elites and political leaders of the time and witnessed the tumultuous changes in 20th-century China. Marcela de Juan conducted a series of lectures across Europe, published articles in major newspapers, and authored numerous translations and writings. The China she descripted is not only a country with a long history and full of Eastern wisdom, but also with simplicity, vividness, and a touch of everyday life, forming essential references for modern Europeans to understand China. In addition, she held a long-term position in the Spanish Ministry of Foreign Affairs, founded a translation association, and participated in the production of television and radio programs, becoming a representative of the modern \u00ab\u00a0New Woman.\u00a0\u00bb Integrating Eastern and Western cultures, she was not only a prolific writer and a feminist advocate, but also played a pioneering role in 20th-century cultural exchanges between China and the West.<br>Keywords\uff1aMarcela de Juan; translation; cultural interchange; Feminism<br><br>\u9ec4\u739b\u8d5b\u5973\u58eb\u4e8e1905\u5e74\u51fa\u751f\u4e8e\u53e4\u5df4\uff0c\u5e7c\u5e74\u751f\u6d3b\u5728\u6b27\u6d32\uff0c\u5b66\u6210\u4e8e\u4e2d\u56fd\uff0c\u6700\u540e\u79fb\u5c45\u897f\u73ed\u7259\uff0c\u4e8e1981\u5e74\u5728\u65e5\u5185\u74e6\u4e0e\u4e16\u957f\u8f9e\u3002\u5979\u81ea\u5c0f\u968f\u5916\u4ea4\u5b98\u7236\u4eb2\u8f97\u8f6c\u5404\u56fd\uff0c\u535a\u95fb\u591a\u8bc6\uff0c\u5e76\u56e0\u7f18\u7ed3\u8bc6\u4e86\u5f53\u65f6\u7684\u6587\u5316\u540d\u6d41\u4e0e\u8fbe\u5b98\u653f\u8981\uff0c\u89c1\u8bc1\u4e8620\u4e16\u7eaa\u4e2d\u56fd\u7684\u98ce\u4e91\u53d8\u5e7b\u3002\u5979\u5728\u6b27\u6d32\u5404\u5730\u4e3e\u529e\u7cfb\u5217\u8bb2\u5ea7\uff0c\u5728\u5404\u5927\u62a5\u7eb8\u53d1\u8868\u6587\u7ae0\uff0c\u5e76\u51fa\u7248\u4e86\u591a\u90e8\u8bd1\u8457\u4e0e\u8457\u8ff0\u3002\u5979\u63cf\u7ed8\u7684\u4e2d\u56fd\u5386\u53f2\u60a0\u4e45\u4e14\u5bcc\u6709\u4e1c\u65b9\u667a\u6167\uff0c\u53e4\u6734\u751f\u52a8\u53c8\u5e26\u6709\u5e02\u4e95\u751f\u6d3b\u6c14\u606f\uff0c\u6210\u4e3a\u73b0\u4ee3\u6b27\u6d32\u4eba\u521d\u8bc6\u4e2d\u56fd\u7684\u91cd\u8981\u53c2\u7167\u7269\u3002\u6b64\u5916\uff0c\u5979\u957f\u671f\u5728\u897f\u73ed\u7259\u5916\u4ea4\u90e8\u4efb\u804c\uff0c\u521b\u5efa\u7ffb\u8bd1\u534f\u4f1a\uff0c\u53c2\u4e0e\u7535\u89c6\u3001\u7535\u53f0\u8282\u76ee\u5f55\u5236\uff0c\u6210\u4e3a\u73b0\u4ee3\u201c\u65b0\u5973\u6027\u201d\u7684\u4ee3\u8868\u3002\u5979\u878d\u6c47\u4e2d\u897f\uff0c\u8457\u8ff0\u7b49\u8eab\uff0c\u662f\u5973\u6027\u4e3b\u4e49\u7684\u5021\u5bfc\u8005\uff0c\u4ea6\u662f20\u4e16\u7eaa\u4e2d\u897f\u6587\u5316\u4ea4\u6d41\u7684\u5148\u884c\u8005\u3002<br>\u5173\u952e\u8bcd\uff1a\u9ec4\u739b\u8d5b\uff1b\u7ffb\u8bd1\uff1b\u6587\u5316\u4ea4\u6d41\uff1b\u5973\u6027\u4e3b\u4e49<\/p><\/div><\/div><\/div>\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-a021aecd\"><h4 class=\"uagb-heading-text\">Session 2 : Th\u00e9\u00e2tre et cin\u00e9ma<\/h4><\/div>\n\n\n<div class=\"wp-block-uagb-faq uagb-faq__outer-wrap uagb-block-c330318d uagb-faq-icon-row uagb-faq-layout-accordion uagb-faq-expand-first-false uagb-faq-inactive-other-true uagb-faq__wrap uagb-buttons-layout-wrap uagb-faq-equal-height     \" data-faqtoggle=\"true\" role=\"tablist\"><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-515cd380 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">14:40 <strong>Prof. CHEN Jun <\/strong>\u9673\u5747 &#8211; Beijing University, School of Arts<br>\u4e2d\u56fd\u56fd\u9645\u56fe\u4e66\u9986\u7684\u620f\u66f2\u8de8\u6587\u5316\u5b9e\u8df5 = <em>Cross-cultural practice of Chinese Opera at the Sino-International Library<\/em><br><em>more<\/em>&#8230;<\/span><\/div><div class=\"uagb-faq-content\"><p>\u6458\u8981\uff1a\u5728\u4e2d\u56fd\u8fd1\u73b0\u4ee3\u620f\u66f2\u53f2\u4e0a\uff0c\u4e2d\u56fd\u56fd\u9645\u56fe\u4e66\u9986\u7b56\u5212\u4e0e\u53c2\u4e0e\u4e86\u4e24\u9879\u91cd\u8981\u7684\u620f\u66f2\u8de8\u6587\u5316\u4ea4\u6d41\u6d3b\u52a8\uff1a\u5176\u4e00\u662f\u7a0b\u781a\u79cb\u7684\u8bbf\u6b27\uff0c1932\u5e741\u670814\u65e5-1933\u5e744\u67087\u65e5\uff0c\u53d7\u4e2d\u56fd\u56fd\u9645\u56fe\u4e66\u9986\u9080\u8bf7\uff0c\u7a0b\u781a\u79cb\u6e38\u5386\u4e86\u5fb7\u56fd\u3001\u6cd5\u56fd\u3001\u82f1\u56fd\u3001\u610f\u5927\u5229\u3001\u6bd4\u5229\u65f6\u3001\u745e\u58eb\u516d\u56fd\u3002\u5176\u4e8c\u662f\u6885\u5170\u82b3\u7684\u6e38\u6b27\uff0c1935\u5e744\u670820\u65e5-8\u6708\uff0c\u6885\u5170\u82b3\u8bbf\u82cf\u4e4b\u540e\uff0c\u5373\u6e38\u5386\u6b27\u6d32\uff0c\u8bbf\u95ee\u6ce2\u5170\u3001\u5fb7\u56fd\u3001\u6cd5\u56fd\u3001\u745e\u58eb\u3001\u82f1\u56fd\u7b49\u56fd\u3002\u8bbf\u6b27\u7684\u7ecf\u5386\u5bf9\u4e8e\u6885\u5170\u82b3\u4e0e\u7a0b\u781a\u79cb\u7684\u620f\u66f2\u827a\u672f\u53ca\u89c2\u5ff5\u5f71\u54cd\u5f88\u5927\u3002\u6b64\u5916\uff0c\u4e2d\u56fd\u56fd\u9645\u56fe\u4e66\u9986\u521b\u529e\u7684\u300a\u4e2d\u56fd\u753b\u62a5\u300b\u300a\u4e1c\u65b9\u4e0e\u897f\u65b9\u300b\u520a\u8f7d\u4e86\u4ecb\u7ecd\u6885\u5170\u82b3\u3001\u7a0b\u781a\u79cb\u53ca\u5176\u4ed6\u4eac\u5267\u540d\u4f36\u7684\u7167\u7247\u4e0e\u6587\u7ae0\u3002\u5728\u4e1c\u897f\u65b9\u6587\u5316\u4ea4\u6d41\u4e2d\u8d77\u5230\u4e86\u91cd\u8981\u4f5c\u7528\uff0c\u800c\u8fd9\u4e00\u6bb5\u6587\u5316\u5386\u7a0b\u4e0e\u8d21\u732e\u8fc4\u4eca\u5c1a\u5c11\u6709\u4eba\u77e5\u6653\u3002<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-fb98e12c \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\"><strong>PAUSE<\/strong><\/span><\/div><div class=\"uagb-faq-content\"><p><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-5c9e7192 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">15:40 <strong>Prof. LO Shih-Lung <\/strong>&#8211; \u7f85\u4ed5\u9f8d \u2013 Tsinghua University, Taipei.<br><em>\u00c0 la recherche de l\u2019ouvrage perdu de Song Chunfang, ou un \u00ab\u00a0sens du temps\u00a0\u00bb de la litt\u00e9rature chinoise contemporaine<\/em><br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>En 1919, alors que le Mouvement du 4 mai bat son plein, Song Chunfang\u00a0(ou Soong\u00a0Tsung-faung, selon la transcription de son \u00e9poque) publie son deuxi\u00e8me livre en fran\u00e7ais, intitul\u00e9e <em>La Litt\u00e9rature chinoise contemporaine<\/em>. Laur\u00e9at\u00a0du dernier examen imp\u00e9rial, Song\u00a0continue \u00e0 poursuivre\u00a0ses \u00e9tudes en litt\u00e9rature occidentale \u00e0 l\u2019universit\u00e9 St. John de Shanghai, avant qu\u2019il n\u2019obtienne\u00a0ses dipl\u00f4mes \u00e0 Gen\u00e8ve et \u00e0 Paris en 1916. Premier professeur chinois en litt\u00e9rature compar\u00e9e \u00e0 l\u2019universit\u00e9 de P\u00e9kin, Song publie <em>La Litt\u00e9rature chinoise contemporaine<\/em>\u00a0chez<em> Journal de P\u00e9kin<\/em>, journal g\u00e9n\u00e9raliste de langue fran\u00e7aise soutenu par le minist\u00e8re fran\u00e7ais des Affaires \u00e9trang\u00e8res. Recueil de vingt-trois essais sur la fiction, la po\u00e9sie et le th\u00e9\u00e2tre chinois, <em>La Litt\u00e9rature chinoise contemporaine<\/em> cherche \u00e0 r\u00e9examiner le d\u00e9veloppement de la litt\u00e9rature chinoise depuis la fin de la dynastie Qing et le d\u00e9but de la R\u00e9publique de Chine \u00e0 travers une perspective comparatiste. En s\u2019appuyant sur une relecture de <em>La Litt\u00e9rature chinoise contemporaine\u00a0<\/em>(red\u00e9couvert \u00e0 la biblioth\u00e8que de l\u2019universit\u00e9 de P\u00e9kin en 2015), je vais analyser\u00a0dans ma communication du colloque la construction du savoir d\u2019une litt\u00e9rature dite \u00ab\u00a0contemporaine\u00a0\u00bb\u00a0chez Song Chunfang ainsi que chez les intellectuels de son \u00e9poque. Comment Song r\u00e9fl\u00e9chit-il la litt\u00e9rature chinoise dans un cadre interculturel\u00a0? \u00c0 qui s\u2019adresse son ouvrage r\u00e9dig\u00e9 en fran\u00e7ais et publi\u00e9 en Chine\u00a0? Comment place-t-il la litt\u00e9rature chinoise moderne dans le contexte de la litt\u00e9rature mondiale\u00a0? Cette observation historique nous permettra peut-\u00eatre de mieux comprendre le contexte contemporain dans lequel la BSI a \u00e9t\u00e9 cr\u00e9\u00e9e et l\u2019importance des \u00e9changes litt\u00e9raires et culturels entre la Chine et l\u2019Europe au d\u00e9but du XX<sup>e<\/sup> si\u00e8cle.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-19fd59db \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">16:20 <strong>Prof. Cyril CORDOBA<\/strong> &#8211; Universit\u00e9 de Fribourg<br><em>Ombres \u00e9lectriques sur la Suisse\u00a0: La diffusion de films chinois sur les \u00e9crans helv\u00e9tiques.<\/em><br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>Le 14 janvier 1950, la Suisse devient l\u2019un des premiers pays occidentaux \u00e0 reconna\u00eetre la R\u00e9publique populaire de Chine (RPC). Dans les ann\u00e9es qui suivent, l\u2019appareil de propagande mao\u00efste d\u00e9ploie un certain nombre d\u2019efforts pour \u00ab\u00a0d\u00e9velopper la compr\u00e9hension mutuelle et renforcer l\u2019amiti\u00e9 sino-suisse\u00a0\u00bb. Ces d\u00e9marches aboutissent, dans la deuxi\u00e8me moiti\u00e9 des ann\u00e9es 1960, \u00e0 la cr\u00e9ation d\u2019associations enti\u00e8rement d\u00e9di\u00e9es aux \u00e9changes culturels entre les deux pays. Durant une quinzaine d\u2019ann\u00e9es, Beijing s\u2019est donc efforc\u00e9 de promouvoir en Suisse la production culturelle chinoise sans v\u00e9ritable appui local, et en d\u00e9pit d\u2019un f\u00e9roce anticommunisme.\u00a0Outre quelques repr\u00e9sentations de l\u2019Op\u00e9ra de P\u00e9kin et\u00a0expositions d\u2019arts traditionnels (peinture, calligraphie), la diffusion de films repr\u00e9sentait alors un outil central de la diplomatie culturelle chinoise.<br>La pr\u00e9sente communication propose d\u2019analyse l\u2019organisation de projections de films par l\u2019ambassade de la RPC \u00e0 Berne et son consulat \u00e0 Gen\u00e8ve durant les ann\u00e9es 1950. Outre les informations r\u00e9colt\u00e9es par la Police f\u00e9d\u00e9rale au sujet des s\u00e9ances tenues\u00a0dans les murs des l\u00e9gations et dans des cin\u00e9mas locaux (Archives f\u00e9d\u00e9rales suisses), cette recherche s\u2019int\u00e9ressera aux films chinois projet\u00e9s dans le cadre du Festival international du film de Locarno entre 1955 et 1961 (Cin\u00e9math\u00e8que suisse). Ces investigations seront compl\u00e9t\u00e9es par une revue de presse li\u00e9e \u00e0 la pr\u00e9sence en Suisse du cin\u00e9ma chinois (bases de donn\u00e9es en ligne).<\/p><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:2px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>19:30<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>LES SALONS<br\/>6, rue Jean-F. Bartholoni<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"843\" height=\"632\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-9.png\" alt=\"\" class=\"wp-image-728\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-9.png 843w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-9-300x225.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-9-768x576.png 768w\" sizes=\"auto, (max-width: 843px) 100vw, 843px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">De Xiao Shuxian : <em>Kinesische Kinderfreuden<\/em> 1946. Illustrations de Xiao Shufang.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-666c0e73\"><h4 class=\"uagb-heading-text\">Concert : Une soir\u00e9e \u00e0 la BSI<\/h4><\/div>\n\n\n\n<p>Repr\u00e9sentations de musique et th\u00e9\u00e2tre chinois en Europe, 1920-1950 <\/p>\n\n\n\n<p>Ce concert puise son programme dans les repr\u00e9sentations musicales et th\u00e9\u00e2trales qui ont eu lieu en Suisse et dans d&rsquo;autres pays europ\u00e9ens \u00e0 l&rsquo;\u00e9poque de la <em>Biblioth\u00e8que Sino-Internationale<\/em> et dans la p\u00e9riode qui l&rsquo;a imm\u00e9diatement pr\u00e9c\u00e9d\u00e9e. Des sc\u00e8nes d&rsquo;op\u00e9ra chinois seront interpr\u00e9t\u00e9es par le maestro Hu Wenge et des musiciens de la Jingju Theater Company de P\u00e9kin. Des musiciens de la HEM interpr\u00e9terons de la musique instrumentale et vocale chinoise jou\u00e9e en Suisse et en Europe \u00e0 cette \u00e9poque.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-uagb-advanced-heading uagb-block-a3553af1\"><h2 class=\"uagb-heading-text\">Jour 3 : samedi 13 avril 2024<\/h2><\/div>\n\n\n\n<div class=\"wp-block-uagb-separator uagb-block-ef744a12\"><div class=\"wp-block-uagb-separator__inner\" style=\"--my-background-image:\"><\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>9:00 &#8211; 12:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>SALLE GD-20<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-11-725x1024.png\" alt=\"\" class=\"wp-image-734\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-11-725x1024.png 725w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-11-213x300.png 213w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-11-768x1084.png 768w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-11.png 994w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">Dessin d&rsquo;enfant de la collection BSI. Actuellement au <em>Pestalozzianum<\/em>, Z\u00fcrich<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-277525b1\"><h4 class=\"uagb-heading-text\">Session 4 : Arts visuels et musique<\/h4><\/div>\n\n\n<div class=\"wp-block-uagb-faq uagb-faq__outer-wrap uagb-block-5164e338 uagb-faq-icon-row uagb-faq-layout-accordion uagb-faq-expand-first-false uagb-faq-inactive-other-true uagb-faq__wrap uagb-buttons-layout-wrap uagb-faq-equal-height     \" data-faqtoggle=\"true\" role=\"tablist\"><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-814edc8a \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">09:00 <strong>Mgr. Michaela Pej\u010dochov\u00e1<\/strong> Ph.D. &#8211; National Gallery in Prague<br><em>Liu Haisu and modern Chinese ink painting in Interwar Period Europe<\/em><br><em>more<\/em>&#8230;<\/span><\/div><div class=\"uagb-faq-content\"><p>The Chinese painter and art teacher Liu Haisu was among the most prominent Chinese intellectuals who advanced the knowledge of Chinese culture in Interwar Period Europe. He spent considerable periods of time in centres such as Berlin, Paris, Geneva, or London, engaging in the cultural life and promoting Chinese art there. Most importantly, Liu Haisu was a moving force behind massive touring exhibitions of modern Chinese ink paintings, introduced in nine cities of five European countries between 1934\u20131935, which often represented the first encounter of local public with modern Chinese ink painting. This paper will elaborate on one of the exhibitions organized by Liu, that took place in Geneva in the Bibliotheque Sino-Internationale in September and October 1934 and later moved to Prague, and expound on its contents and contexts, which were largely unique in each of these locations. It will also underline its importance for the collecting of Chinese modern paintings in both countries.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-30bed9ca \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">09:40 <strong>Prof. Joys Cheung<\/strong> \u5f35\u6d77\u6b23 &#8211; Taiwan Normal University<br><em>Locating the elusive folk\/<\/em>populaire<em> in modern Chinese art song culture, 1920s-1930s<\/em>.<\/span><\/div><div class=\"uagb-faq-content\"><p>The rise of art song in modern China, 1920s-1930s, underlined the value of originality in musical composition (Chao 1928). As a modern practice inspired by the Western model, the emerging art song culture musically celebrated originally composed vocal melodies and piano accompaniment. Such an emphasis gave the value of existing folk songs an ambiguous position, contrasting the \u201cnew folk song\u201d movement that took place in interwar Japan. However, a number of Chinese art song composers did feature folk song materials in their arranged compositions. This paper examines the sources and styles of these works, including songs arranged by Xiao Shuxian (Hsiao Shu-hsien, 1905-1991) in the 1930s during her Switzerland period. They include \u201cThe Old Fisherman\u201d (Lao yuweng \u8001\u6f01\u7fc1; Xiao\u2019s \u201cLe vieux P\u00eacheur\u201d), a southern Suzhou folk song with popularity traceable to the Yuan dynasty, which Yuen Ren Chao (Zhao Yuanren 1892-1982) arranged for the piano (undated; Chao and Pian ed., 1987). These songs, despite their lesser value in originality, prompt us to consider the elusive folk\/<em>populaire<\/em> as constituting art song composers\u2019 musical beings, shaping their musical creations.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-ee613419 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\"><strong>PAUSE<\/strong><\/span><\/div><div class=\"uagb-faq-content\"><p><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-bdf0b178 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">10:40 <strong>Prof. CHEN Guanchen<\/strong> \u9673\u5ee3\u741b &#8211; Emory University, USA.<br><em>Excavating the Chinese Overtones of Art Deco: The Exposition internationale des arts d\u00e9coratifs et industriels modernes.<\/em><br><em>more&#8230;<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>The Exposition internationale des arts d\u00e9coratifs et industriels modernes, held in Paris in 1925, was a watershed event in the history of modern arts and aesthetics. Itself being the culmination of over a century of industrialization and its various counter-movements, this event in turn set the tone of subsequent developments in the philosophy and politics of the <em>Art Deco<\/em> movement. It should be noted that there was a Chinese, or more generally speaking a so-called \u201coriental\u201d overtone in the formation of this movement, which had not yet been thoroughly accounted for. Furthermore, the rise of socialism and especially Marxism profoundly shaped the conceptualization of applied arts. Given Marxism\u2019s crucial position in modern China and the populist folk art it promoted, a thorough examination of the intellectual genealogy of <em>Art Deco<\/em> in a cross-cultural context is warranted.<br>China was only given a modest representation in the Exposition, but it notably prefigured the operation of the Biblioth\u00e8que Sino-Internationale (BSI) in Geneva, which contributed enormously to the cultural understanding between Europe and China. In fact, the Chinese component of the Exposition in many ways foretold and encapsulated the core spirit and dilemma of BSI: both fruitful communication and mismatched expectations. This presentation excavates and elucidates the historical situation in which this exhibition was created and presented to the Parisian audience. Most importantly, it aims to analyze the underlying cultural concepts of \u201capplied\u201d and \u201cdecorative arts\u201d in different traditions and in connection to the volatile political, technological, aesthetic contexts of the twentieth century.<\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-8ffe22b4 \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">11:20 <strong>Michelle QIAO<\/strong> \u4e54\u4e89\u6708\u2013 Shanghai Daily<br><em>The Building Story of BSI Shanghai Branch<\/em><br><em>&#8230;more<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p><\/p><\/div><\/div><div class=\"wp-block-uagb-faq-child uagb-faq-child__outer-wrap uagb-faq-item uagb-block-95cf963e \" role=\"tab\" tabindex=\"0\"><div class=\"uagb-faq-questions-button uagb-faq-questions\">\t\t\t<span class=\"uagb-icon uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M432 256c0 17.69-14.33 32.01-32 32.01H256v144c0 17.69-14.33 31.99-32 31.99s-32-14.3-32-31.99v-144H48c-17.67 0-32-14.32-32-32.01s14.33-31.99 32-31.99H192v-144c0-17.69 14.33-32.01 32-32.01s32 14.32 32 32.01v144h144C417.7 224 432 238.3 432 256z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t<span class=\"uagb-icon-active uagb-faq-icon-wrap\">\n\t\t\t\t\t\t\t\t<svg xmlns=\"https:\/\/www.w3.org\/2000\/svg\" viewBox= \"0 0 448 512\"><path d=\"M400 288h-352c-17.69 0-32-14.32-32-32.01s14.31-31.99 32-31.99h352c17.69 0 32 14.3 32 31.99S417.7 288 400 288z\"><\/path><\/svg>\n\t\t\t\t\t\t\t<\/span>\n\t\t\t<span class=\"uagb-question\">11:40 <strong>Dr. Pascale BUGNON<\/strong> &#8211; Universit\u00e9 de Gen\u00e8ve and Haute \u00e9cole de musique de Gen\u00e8ve<br><em>\u201cA Truthful Picture of the Chinese Reality\u201d : The Sino-International Library\u2019s <\/em>China Illustrated<em> magazine<\/em> (1935-1937)<br><em>&#8230;more<\/em><\/span><\/div><div class=\"uagb-faq-content\"><p>The aim of the Biblioth\u00e8que Sino-Internationale (BSI) was to promote knowledge of Chinese culture and art. Among its many activities, this institution published two periodicals, <em>Orient et Occident<\/em> (1934-1936) and <em>La Chine Illustr\u00e9e<\/em> (1935-1937). The first had sinological aims, with the publication of academic articles which, according to the editors, covered all fields and were resolutely oriented towards the future of the country. The second, on the other hand, had a more popular and ordinary register and sought to present a particular vision of China abroad, with the aim of \u201ceducating and entertaining the European public\u201d through \u201ca vivid truthful picture of how the Chinese mode of existence\u201d.<br>\u00a0<br>In this presentation, I will focus on <em>La Chine Illustr\u00e9e<\/em> by examining certain dominant themes and questioning those that are absent, such as ethnic diversity. Edited and published by a Chinese editorial team for a foreign audience, what representations of China did this magazine seek to construct? Through its discourse on modernity, navigating between nationalism and internationalism, this journal appears as a fascinating window on the project of cultural modernisation of Republican China (1912-1949), charged with cultural transfers, where the \u201cpredominant role of the Far East in the march of the whole world would require a better knowledge of the Chinese people in all the manifestations of their lives\u201d.<\/p><\/div><\/div><\/div><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:1px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>12:00 &#8211; 13:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>SALLE GD-20<br\/>HEM<br\/>G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-f607a340\"><h4 class=\"uagb-heading-text\">Session d&rsquo;adieu<\/h4><\/div>\n\n\n\n<p>Contenu \u00e0 annoncer<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"343\" height=\"417\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-7.png\" alt=\"\" class=\"wp-image-723\" style=\"width:130px\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-7.png 343w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/12\/image-7-247x300.png 247w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/figure>\n\n\n\n<p class=\"has-small-font-size\">De Xiao Shuxian : <em>Kinesische Kinderfreuden<\/em> 1946. <br\/>Illustrations de Xiao Shufang.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ad5266f8 wp-block-columns-is-layout-flex\" style=\"border-width:2px;border-radius:10px;margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--20)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-table is-style-regular\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;font-size:15px\"><table style=\"border-style:none;border-width:0px\"><tbody><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-583\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-2.png\" alt=\"\"\/><\/td><td>20:00<\/td><\/tr><tr><td><img loading=\"lazy\" decoding=\"async\" width=\"20\" height=\"20\" class=\"wp-image-585\" style=\"width: 20px;\" src=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png\" alt=\"\" srcset=\"https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3.png 512w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-300x300.png 300w, https:\/\/bibliosinoint.ch\/wp\/wp-content\/uploads\/2023\/11\/image-3-150x150.png 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br\/><br\/><\/td><td>CIN\u00c9MA GD-03<br\/>HEM<br\/>Rue du G\u00e9n\u00e9ral-Dufour<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\">\n<div class=\"wp-block-uagb-advanced-heading uagb-block-19883e29\"><h4 class=\"uagb-heading-text\">Projection de film : <strong>Yulan, le destin d&rsquo;une \u00e9coli\u00e8re chinoise<\/strong> (1929-1930)<\/h4><\/div>\n\n\n\n<p>Yulan, la destin\u00e9e d&rsquo;une \u00e9coli\u00e8re chinoise \/ Y\u00fclan. Das Schicksal einer Chinesische Sch\u00fclerin,<br\/>Film muet avec intertitres fran\u00e7ais et allemands, 60 min.<br\/>Cam\u00e9ra : Friedrich Paulmann.<br\/><br\/>Ce film est l&rsquo;adaptation d&rsquo;un long m\u00e9trage tourn\u00e9 par un op\u00e9rateur de la Berliner Missionsfilm-Genossenschaft (Service cin\u00e9matographique de la Mission de Berlin) \u00e0 la demande des Missions de B\u00e2le. Il raconte l&rsquo;histoire de Yulan, une \u00e9tudiante chinoise contrainte par sa famille \u00e0 \u00e9pouser un jeune homme qui s&rsquo;av\u00e8re \u00eatre un joueur inv\u00e9t\u00e9r\u00e9. Yulan est l&rsquo;une des \u00ab\u00a0possessions\u00a0\u00bb qu&rsquo;il met en gage ; apr\u00e8s une nouvelle partie perdue, elle est contrainte de se livrer \u00e0 un nouveau \u00ab\u00a0mari\u00a0\u00bb. Mais elle pr\u00e9f\u00e8re s&rsquo;enfuir et se r\u00e9fugier \u00e0 la Mission, o\u00f9 elle se converti et devient missionnaire \u00e0 son tour. Au cours d&rsquo;une visite \u00e0 la campagne, Yulan retrouve son mari, tomb\u00e9 dans la d\u00e9solation la plus totale, et l&rsquo;am\u00e8ne \u00e0 la Mission.<\/p>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Programme pr\u00e9liminaire en format pdf (744 KB). Le symposium se d\u00e9roulera \u00e0 la Haute \u00e9cole de musique de Gen\u00e8ve, 2, rue du G\u00e9n\u00e9ral-Dufour. Jour 1 &#8211; Jeudi 11 avril 2024 A partir de 12h00 2e \u00c9TAGEHEMG\u00e9n\u00e9ral-Dufour Inscription Les participants sont pri\u00e9s de s&rsquo;inscrire au bureau du symposium, ouvert \u00e0 partir de 12h00. 13:00 &#8211; 14:00 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":1252,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_eb_attr":"","_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-1205","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Xavier","author_link":"https:\/\/bibliosinoint.ch\/wp\/fr\/author\/xavier\/"},"uagb_comment_info":0,"uagb_excerpt":"Programme pr\u00e9liminaire en format pdf (744 KB). Le symposium se d\u00e9roulera \u00e0 la Haute \u00e9cole de musique de Gen\u00e8ve, 2, rue du G\u00e9n\u00e9ral-Dufour. Jour 1 &#8211; Jeudi 11 avril 2024 A partir de 12h00 2e \u00c9TAGEHEMG\u00e9n\u00e9ral-Dufour Inscription Les participants sont pri\u00e9s de s&rsquo;inscrire au bureau du symposium, ouvert \u00e0 partir de 12h00. 13:00 &#8211; 14:00\u2026","_links":{"self":[{"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/pages\/1205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/comments?post=1205"}],"version-history":[{"count":6,"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/pages\/1205\/revisions"}],"predecessor-version":[{"id":1262,"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/pages\/1205\/revisions\/1262"}],"up":[{"embeddable":true,"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/pages\/1252"}],"wp:attachment":[{"href":"https:\/\/bibliosinoint.ch\/wp\/fr\/wp-json\/wp\/v2\/media?parent=1205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}